Substantive Education

October 30, 2008

Aegean Art – Part 1 The Cyclades

Filed under: Art,Fine Art,Friday classes,Uncategorized — kbagdanov @ 2:11 am
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Again, continuing to post information so my students can review what we have been doing in class…here is the ancient art from the area around the Aegean Sea.

The first art that we encounter was produced by the Cycladic people (3,000-1100 BC) who inhabited the Cycladic Islands.  They were excellent seafarers and farmers.  They had established trade with Egypt and other early civilizations in the Near East.  One of the hallmarks of this society was the use of Bronze, an alloy made from copper.  They had to import the metal ores needed to mix with the copper.

Because we have not been able to figure out how to read all of their writing, their art has become a major source on information about them.  Among the most unusual products of the Cycladic artist were strange, unidentifiable objects made of terra-cotta.  They were ornamented with stylized designs and either painted or incised before firing.  The example pictured is from 2500-2200 BC.  The incised panel is called a ‘frying pan’ not because it was used for that purpose, but because it is descriptive of it’s shape. 

“This piece consists of a wide, geometric border encircling a scene showing a boat on a sea of waves depicted as linked spirals.  With its long hull and banks of oars, the boat resembles those seen in Neolithic Egyptian art.  The large fish to the left might be a carved prow ornament.”  pg. 92 of Art History by Marilyn Stokstad.

The Cyclades had an ample supply of white marble which was used by sculptors.  In this piece we have a seated harp player who is fully developed in a sculpture in the round.  It’s body shape is reduced to geometric figures, but retains those elements essential to an actual musician.  The harpist sits on a high-backed chair with a splayed base, his head is tilted back as if singing, and his knees and feet are separated for stability.  The harp is braced on one arm, with the other left free to pluck.

Another unique kind of sculpture found in the Cyclades were nudes that could range in size from a few inches to 5 feet tall.  The sculptures were generally of females and were often found laying on graves.  The figures are fairly flat, simple geometric features and bodies, and by the angles of their feet it is apparent that they were laid flat as they could not be displayed standing.  Their arms are shown crossed on their bodies, toes pointed as if they are asleep or dead.  Originally these statues were painted black, red, and blue.  Besides having facial features painted on they would also have had hair added.

Although we cannot know the precise purpose or use of these statues one interpretation has been that they were used for worship in the home and then buried with their owners.  This would explain why many are found around graves.  According to this theory, the larger statues were set up for communal worship, either to represent the supernatural deities, or as votive figures.

October 20, 2008

Art History

Along with homeschooling my own children I also teach some classes.  I’ve been using the pages feature of this blog to keep my students updated on their homework assignments, which takes up a great deal of time and keeps me from adding new posts to this site.  I’ve decided to add some of my class notes for Ancient Art  and History classes here, because I’ve found it fascinating, so hopefully you will too.  Most of my information from Marilyn Stokstad’s textbook, Art History and the images from various museum collection I found on the web.  I’m breaking up the information into several posts.   Enjoy

The Art of Babylon

The Amorites were a Semitic speaking people from the Arabian desert who moved west and reunited Sumer under the leadership of Hammurabi. Hammurabi built his capital in Babylon and his people became known as Babylonians.  His most notable achievement was a written legal code.  During the history of Babylonian dominence they were able to expand their empire beyond the Fertile Crescent into Egypt, Anatolia (modern day Turkey) and east into what is today Iraq. Ruling a vast empire with limited transportation options and no mass communication presented challenges we can hardly understand.  Yet, it would appear Hammurabi was a wise and fair ruler who managed it.  Up to this point the law was at the discretion of the ruler and was often unfair and arbitrary.  The rich could, and were expected to, bribe their way out of trouble and laws rarely applied to them.  Kings and rulers were above the law. Although we would be horrified at many of Hammurabi’s laws they were a huge step forward.  It is true they were biased in terms of wealth, class, and gender.  For instance, a woman commiting incest was burned, a man banished, however neither escaped judgement.  It is hard for us to appreciate what a giant step forward this was.  He was attempting, for the first time, to create a society regulated by published laws and their consequences…not on the whim of rulers.

Hammurabi’s codes were written on what is called a Stele.  The one pictured her is currently at the Louvre in Paris.  The Stele (or megalith) is made of black basalt and stands 7 feet high.  In the tradition of Ancient art It depicts a legendary event, the conversation about justice between god and man.  At the same timing it is an historical document recording laws and their punishments.

At the top of the stele we see Hammurabi and Shamash, the sun god and god of justice conversing.  They are on a mountain top indicated by the three tiers on which Shamash rests his feet.  Hammurabi stands in an attitude of prayer and attentiveness as he listens carefully.  Shamash sits on a backless throne, dressed in a traditional flounced robe wearing a cylindrical hat.  Flames rise from his shoulders and additional symbols of power include a measuring rod and rope.  He gives Hammurabi the laws because he is the intermediary between the god and his people.  From the base of this scene the laws are recorded in horizontal bands flowing to the base of the stele.  The words are written in cuneform.  The writing includes a prologue which tells of Hammurabi’s restoration of temples and his role as a peacemaker seeking to ensure uniform treatment of his subjects.   One sentence declares, “to cause justice to prevail in the land and to destroy the wicked and the evil, that the strong might not oppress the weak nor the weak the strong”

The concept of god-given laws engraved in stone is a longstanding tradition in the Ancient Near East.  You have probably noted the similarities to the story of Moses, known as the Lawgiver of Israel, who received the law from God on Mt. Sinai.  God wrote these laws on two stone tablets.

Hammurabi ruled Babylon from 1792 until 1750 B.C.  Babylon was in power for several centuries, eventually being conquered by the Assyrians.  We will get to them in a moment…but first let’s continue with Babylon which had a rebirth in 615 B.C.   This new Babylon or Neo-Babylon’s most famous ruler was Nebuchadnezzar II who we remember for his suppression of the Jews recorded in the book of Daniel.  He was a great patron of architecture and transformed the city of Babylon.  The city was traversed by the Processional Way.  In some places it was 66 feet wide and was used for religious processions.  It ended at the Ishtar Gate, the ceremonial entrance to the city.  The walls on either side of the route were faced with dark blue bricks.  Against this background specially molded turquoise, blue and gold bricks formed the images of striding lions which were the image of the goddess Ishtar.

The double arched Istar Gate was a symbol of Babylonian power.  It was guarded by four crenellated (notched) towers and decorated with horned dragons that had the head and body of a snake, the forelegs of a lion, and the hind legs of a bird of prey.  These were considered sacred the god Marduk.  Other animals and dieties were also honored on the gates.  The Istar Gate has been reconstructed inside of a Berlin Museum.

New-Babylon was also renowned for containing one of the Seven Wonders of the Ancient World…the fabled terraced and irrigated Hanging Gardens.  This is just an artist renderings of what we believe the gardens would have looked like.

I think that is enough for today.  Tomorrow we will look at Assyrian art.

September 8, 2008

PARENT MEETING REMINDER

Filed under: Uncategorized — kbagdanov @ 1:37 am
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Reminder, tonight is our Parent Meeting. We will be in the Annex. Be sure to have everything you need for registration, forms, check, shot records etc. We will be going over some policy changes and we already have two great field trips for September so you don’t want to miss out. See you all there.

September 4, 2008

Art Participation

Filed under: Education,Fine Art — kbagdanov @ 7:18 pm
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Just a few quick thoughts. As I was preparing for the classes I will be teaching tomorrow I came across these disturbing statistics. Active Participation in doing art peaks at nearly 100% for children until they reach the age of about 9…by the time they are young adults active participation is about 6%. A decline of 94% is a little disturbing.

I can understand the statistic though. By the time kids are about 9 or 10 they have recognized that their drawings do not resemble reality as closely as they would wish, so they give up. After all, it’s frustrating and discouraging to continue to do something that you are not good at. In another survey nearly half of the adult population would like to be able to paint and draw, but 72% do not think it is possible for them to learn.

These statistics bother me as I get ready to teach an art class where we will be drawing, painting, and sculpting. I want the kids to find joy and contentment in their time producing art, but I know that for many it will be a stressful and discouraging endeavor. Not being an ‘A’ type personality I’ve always enjoyed the process of creating without worrying overmuch about the result. I’m hoping that the students in my class will be able to enjoy the process, but I’m realistic as well. There is no way to avoid the fact that from the start certain students will be more talented than others and that the less gifted among us will notice.

So is there benefit in having my less artistic student take an art class when I don’t think they will excel. I think so for several reasons. First, just maybe your student will surprise you and with some instruction their latent artistic talents will come to the surface, talents that might have lied undiscovered if we only had our kids try things we knew they would be good at.

Second, maybe your child will discover enjoyment in producing art. I enjoy drawing and painting even though I’m not particularly good at it, it’s relaxing. I remember taking a painting class in England at Cambridge University. I was very intimidated, but my curiosity and the lure of sitting in the English countryside with an easel and paints was just to appealing. Our instructor really didn’t instruct much, just explained a few techniques then we would walk through town or the country and sit down to paint. I got pretty good at watercolor clouds…not a particularly difficult feat, but I have great memories of doing it. Your child doesn’t need to be DaVinci to enjoy producing art and that joy is reason enough to do it.

Thirdly, although I will never be a great painter my stumbling efforts have produced a great deal of admiration for those who can. I love wandering art museums and am continually amazed at the beauty and insights of the great painters. I would imagine many art curators for museums and galleries, many art historians teaching in University are like me, people who will never be great artists themselves but are deeply grateful for the beauty these talented individuals have brought into our lives.

Fourth, you really can’t know where exposure to all sorts of knowledge will lead. We insisted that our children take piano lessons long enough to become somewhat proficient and to read music. To my surprise all of them have pursued an interest in creating music although only one has a preference for the piano. The exposure to the classics, to the practical musical theories, to the importance of doing scales and practicing a piece over and over translated over into other areas. They didn’t have to become concert pianist for those lessons to be beneficial, just as they don’t need to become artist for basic art lessons to benefit them.

So, as your kids try their hand at art lets not just praise their results, but also help them to enjoy the process and to find joy in observing art. Man’s ability to create and to be creative is a gift from God, the Creator, and we should have fun exploring that part of ourselves.

August 14, 2008

Charlotte Mason

Charlotte Mason was an educator in England around the turn of the century. Her philosophy of education has become quite popular with homeschoolers for good reason. She has a common sense approach that is both practical and inspiring. Respect for the minds and spirits of her students permeates her writing.

For many, her books seem unapproachable because of the old-fashioned and often difficult language. While I certainly wouldn’t want to discourage anyone from reading the originals (there really is no comparison, so much more material to mull over in the originals) there are several other books out that have explained her ideas, giving the basics in an easier to understand format.

Karen Andreola’s, Charlotte Mason Companion, Personal Reflections on The Gentle Art of Learning, is one such book. It is a refreshing, relaxed approach to teaching that emphasises good quality books and exposing your children to the best in every discipline.

Here is an excerpt from her book.

“Charlotte urges us to give children a regular feeding of ideas through sweeping tales of history, wonderful inventions and discoveries in science, lives of great men and women, stories that relate to the moral life as well as paintings, plays, Psalms, poems, symphonies, and everything else wonderful we can think of. She says these ideas are the children’s very breath of life. A child draws inspiration from the casual life around him. The thought of any of our poor words and ways being a daily influence on a child should make the best of us want to hold our breath. There is no way to escape, We are inspirers, whether we feel confident or not because, as Charlotte says, ‘about the child hangs, as the atmosphere around a planet, the thought environment he lives in. And here he derives those enduring ideas which express themselves as a life long kinship toward sordid or things lovely, things earthly or divine.’

These thoughts challenged me to be intentional about the ‘atmosphere’ in our home. I was challenged to rethink which of the books I offered my sons was ‘twaddle’ and which were ‘living’ books, able to reach their hearts and minds. I was challenged to see my children’s time as as valuable as my own, and to not waste it with pointless exercises and worksheets. This book encourages a complete paradigm shift for those of us who attended public, and most private, schools as children. (Although Charlotte Mason’s ideas were originally put to use in her ‘cottage’ schools in England.)

Beyond the philosophical underpinnings the book also offers highly practical ways to incorporate a rich thought life into your home. Here you will find practical ways to incorporate nature studies, history, and art into your daily life. Unlike many homeschool books, this one is not guilt inducing. There are no strict schedules or accelerated plans for academic success. Here the learning of your child is not a fragmented process, but a peaceful, joyous process of discovery.

Do not be deceived….just because this approach is ‘gentle’ compared to many others it draws the very best out of the child. They are truly learning and retaining what they learn because their minds are engaged. I have often heard my children say that we didn’t do much school work…or that they taught themselves in high school. That’s perfect. As younger children much of what we did they didn’t recognize as school, or learning, and as older children my role became more and more that of someone who makes introductions to authors or subjects and then lets them take it where they will. By the end of high school they owned their education and were more than capable of carrying on without me.

I’m sure I will have much more to say in the future about Charlotte Mason. She greatly influenced our homeschool years and I feel greatly indebted to her for her work and insights.

August 13, 2008

Governor and State Superintendent of Schools react to Court Ruling.

Filed under: Uncategorized — kbagdanov @ 3:19 am
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In light of the recent court ruling in California affirming the rights of parents to homeschool, these were the comments by California’s Governor and the State Superintendent of Schools.

Governor Arnold Schwarzenegger:

“This is a victory for California’s students, parents and education community. This decision confirms the right every California child has to a quality education and the right parents have to decide what is best for their children. I hope the ruling settles this matter for parents and homeschooled children once and for all in California, but assure them that we, as elected officials, will continue to defend parents’ rights.”

State Superintendent of Public Instruction Jack O’Connell:

“I am pleased that the courts have clarified the right of California parents to homeschool their children. I have respected the right of parents to make educational decisions they feel are in the best interest of their children. I recognize and understand the consternation that the earlier court ruling caused for many parents and associations involved in homeschooling. It is my hope that today’s ruling will allay many of those fears and resolve much of the confusion.”

August 12, 2008

Tim and Jessica’s First Apartment

Filed under: Family stuff — kbagdanov @ 5:48 pm
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For my family who visits my site…here is a pic of Tim and Jess outside their new abode. Jess has orientation on Wed. and starts her first year of law school on Monday. Not much time to unpack.

August 9, 2008

VICTORY FOR CALIFORNIA HOMESCHOOLERS

Filed under: Homeschooling — kbagdanov @ 1:37 am
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Update from HSLDA….Go to their website for the full article.

In a unanimous decision, the California Court of Appeal for the Second Appellate District today ruled that “California statutes permit home schooling as a species of private school education.”

August 5, 2008

How Much Help is Too Much Part 2

This post is a continuation of yesterdays. Specifically addressing the issue of where the balance lies between helping a later elementary school child too much, and leaving them so frustrated that they give up.

With my 4 boys, who were all very different, I still watched them pass through 4 stages as they became more independent learners. In early elementary school children are mastering all new skills, reading, writing, basic math. In later elementary school they are solidifying these skills together into useful tools that they don’t even have to think about to use. In Middle School they are moving away from dependence on you as their teacher and are learning to work more and more independently. In High School they are independent learners, able to be given an assignment and follow through on it with very little outside help.

These stages are not distinct and each of my boys moved through them at a different pace. The stages also had a great deal of overlap. Most growth happens that way, as our children move into a new stage they still bop back periodically to the old one. One moment a preschool age child will want to be totally on his own and tell you adamantly, “I’ll do it myself.’ and in the next moment they want to curl up on your lap and be your baby. The transition takes time and is a back and forth movement until they are ready to totally move into that next phase. It’s a natural and healthy way to move forward, as they ‘try out’ being more independent, and then retreating back to the security of Mom’s lap, eventually needing that security less and less. Not allowing your preschooler to revert back, pushing them to ‘not be a baby’ generally creates more of the babyish behaviour which is rooted in insecurity and fear of the unknown. Just at the time when they are reverting back and need some reassurance…they feel rejected. I digress…but the concept is the same with children moving through stages in their learning development. Children don’t learn in a straight line, finishing one skill and then moving neatly on to the next. If you were to graph it out t’s not a straight line going up. It’s more of an up and down, with a general upward trend.

In early elementary school there is a tremendous amount of complicated learning going on. Everything is new and children are learning to read, write, work with numbers, how to sit still etc. You are laying the foundation on which everything else will be built. Obviously the first step in any academic learning is being proficient at reading and writing and this is when they are learning that. This is a time of a great deal of hand holding. We need to be patient and realistic in our expectations. Reading is a complicated process…be reassured that just about everyone masters the skills needed, but for some the journey is a little longer than it is for others.

Timothy

Timothy

My eldest son, Tim, despite consistent instruction was still slowly sounding out 4 letter words at the beginning of third grade…we continued on with reassurances from my sister in law, who is a teacher, that he didn’t have any problems but was just a boy…and at the end of 3rd grade he was reading at a 9th grade level. My second son was reading fairly fluently by the end of kindergarten. They each just moved at their own pace. Since my eldest has graduated from college with Honors I can only assume that being a ‘late’ reader didn’t harm him in any way.

However, during those early years with Tim I needed to ‘bear the burden’ while he was mastering his reading skills. He loved books and could sit and be read to for hours. He also loved to ‘write’ although I did a great deal of the physical writing. He would tell stories, ‘write’ poems, and record what he had learned in history and science. I would have him (painfully) write the first sentence or two and then I would act as his scribe. While he was moving toward being an independent reader we kept alive his love for books and learning. He had a bright and active brain that was constantly engaged with the world around him. He loved going to the library and would check out the limit (32 books) each week. It was really during this time I saw the value in teaching him at home. I knew that in school he would be ‘behind’. Tim was a perfectionist and I knew in that environment he would have felt insecure and that he was a failure. No amount of reassurance from me that he was intelligent and capable would have been able to change the fact that most of the children surrounding him were reading. I was so blessed to be in a situation where he could not just learn at his own pace, but excel.

The next stage toward becoming an independent learner, which is really what I wanted to cover in this post, started after Tim had learned to read and write. We’ll say sometime in 4th grade. This is the age where I see many parents make a crucial mistake. They feel they need to keep pushing and moving their child forward. (This need to push is especially prevalent in homeschoolers who often feel they have something to prove.) Now is not the time to push, but to allow your child to bounce back and forth between being an independent learner and being dependent on you. Now is when they are solidifying all the skills they have been learning up to this point so that they can use them without conscious thought.

Let’s take reading. Your child has just mastered the basics and can now read. So where do you go from here. The natural response of most parents is to have them read harder and harder books. I’ve often heard this discussion in libraries and book stores. A child is showing his Mom a book he wishes to get and after a quick glance she says, ‘No, that one is too easy for you. Go pick another.’ Then she will pick one up and say, ‘How about this one?’ and after a glance the child will tell her ‘No, there are too many words on the page.’ or something to that affect. And so it goes. Actually, the child is in the right in this discussion.

Now that the child has done the hard work and learned to read, it’s time for the reward…and the time to solidify those skills. Now children need to practice, practice, practice. They need to read books that are too easy for them, and lots of them. Your child needs years, not months, of practising their reading skills. 80% of our reading is the same 1,000 words. All of these words will be in those books that seem to be too easy for your child. They need to encounter these words over and over and over again until reading them is effortless and automatic. They need to develop confidence in their reading abilities. They need to be able to zip through a book so that they are enjoying the story, not struggling with the words. The point is not that they are reading hard chapter books and all of the realtives are impressed with your ablility as a teacher...the point is that your child loves to read, that they can’t wait to pick up that next book. Is that love ever going to happen if every book they read is just a little too hard for them, if reading is always a bit of a struggle? Do you continue to do things that make you feel inadequate and that are continually hard?

During the late elementary school years, once your child has mastered the basics, encourage them to read…whatever THEY want. Take them to the library and the bookstore and follow their lead. Eventually they will choose to move on to the harder chapter books, but there is no rush. This time of reading lots of too easy books is critical. A great deal of learning and skill building is going on. Think of a baseball player who spends hours each day and week going over the basics…swinging the bat exactly the same way over and over, fielding the fly ball endlessly; or the concert pianist who can play the most difficult of compositions yet spends hours on basic scales. There is a reason these skilled professionals do this. They are wanting these basic skills to be effortless, to have the muscle memory that they don’t need to think about it. When I read I don’t think about it, I’m caught up in the story, not sounding out difficult words. That is what we want for our children…to move beyond having to think about the reading and to be able to focus on what they are reading. This is the part of reading that happens in late elementary school.

Now during this time we are still ‘bearing the burden’ with our children. While my son was busy mastering his reading skills and reading books that were ‘too easy’ his mind was also ready for some harder material. So….I continued to read to him. I actually read outloud to my children until they were through middle school. If I was reading to a younger child in bed at night it was not uncommon for the older two to wander by and say…oh, I remember this part…and lay down to listen. It’s hard to fit 4 large boys in one bed, particularly when they were getting close to 6 foot, but it was known to happen. I read their science and history to them because they were ready to take on concepts in those subjects that was beyond their reading level. So I was still ‘helping’ a lot during these years.

Writing was much the same. During the early years children struggle to form each letter, by high school they can take notes during a lecture…thinking about what they are writing and not about forming letters or spelling. So during later elementary school they know the basics but they need time to practice. I found that having the boys write for 30 minutes a day was helpful. For most of that time they could write about whatever they wanted. (I got some great stories out of it.) I also allowed my second son, Levi, to do a lot of his writing on the computer as this seemed to be so much easier for him.

Levi also gravitated toward non-fiction in these years. At the library he generally checked out books on a topic he wanted to know about, and his writing reflected this. He listened to me read him stories, but when he was choosing his own books he rarely picked up fiction. His writing reflected that. My goal was to have the boys writing, enjoying it, and able to express themselves. I, at this age, rarely gave them specific writing assignments instead allowing them to write about what they were reading and/or thinking about. With Tim that meant stories, with Levi a page on a polar bear. I know many families use and enjoy the books of story starters or journalling ideas you can get at Teacher Supply stores, and if they work for you great. For us it seemed to work better to just let their own ideas take the lead.

The point is to get them writing. Now, again, I often helped ‘bear the burden’. While I have met girls who will write pages of rambling thoughts and stories my boys quickly reached their limit. When Tim and Levi were in late elementary school I also had 2 younger sons…I would read them their history all together and then have them tell back to me what we had read about (this was how I handled comprehension…no boring paragraphs to answer questions about.)

Now doing this brought out all of their personalities. Tim would listen carefully for all of the details, Caleb would listen even closer because he lived to remember something that Tim had forgotten. Levi would be more interested in the people and why they did what they did…he would have more questions than answers. Joseph, who could not be still, would be rolling around on the floor seemingly inattentive, but then he could, in order, repeat back all that I read. (On an interesting side note, if I tried to get Joe to sit still it seemed all his energy went into remaining still and he couldn’t remember anything. If you have a kinetic learner, let them move.)

After this bit of narration they would record what they were learning in their notebooks. Joe, who was quite young would ‘illustrate’ what we had read and then have me write captions. The older boys would start writing and then after about a paragraph ask me to write for them. I normally did. Why is simple. If they knew that they were going to have to do all of their writing on their own they would condense what they had to say making their summary as short and detail free as possible. Knowing that I would be helping out, they were much more thorough. Since this was a history, not a writing lesson, I wanted them focused on the history and to do as complete a job with that lesson as they could.

I could go on with each subject, but I think you get the idea. Late elementary school is a time to solidify what has been learned, whether addition facts or phonics. It’s a time to practice, practice, practice so that as they begin Jr. High and High School they will have the necessary foundation to do more difficult work. They are making those early lessons their own, gaining confidence, and learning to enjoy learning. As their reading, writing, and math skills become more and more automatic they will need you less and less, but they will still need you. Their minds and understanding are still ahead of their reading and writing skills so they need you to bridge that gap. Like the pianist in our earlier example, they are practising their scales, but are still able to enjoy hearing a full concerto if you play it for them.

July 23, 2008

Teacher Orientation at the Getty

Filed under: Field Trips — kbagdanov @ 10:41 pm
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In order to attend our field trip to The Getty Villa several teachers from Grace are required to attend the Villa Teacher Orientation. The workshop is September 6th at 9 a.m to 1 p.m. During the workshop we will be introduced to the logistics of the Villa School Program and the Villa site, as well as the content and focus of the Villa’s collection of Greek, Etruscan, and Roman antiquities. The Villa is open until 5 and all participants are invited and encouraged to stay after the workshop to visit the galleries and gardens at their own pace.

Let me know if you are interested in attending.

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